09 October 2013

Episode 154: Free Play 15.4

Another free play!  Brent and Rob listen to some buff music that hits their B-spots and they talk about all kinds of stuff like name entry etiquette, hidden lyrics, and Rob's "shining" moment.  Full track listing below.



Game - Composer - Song - Company - Console - Year (North American release unless otherwise indicated)

TechnoCop - Kevin Seghetti - Title Screen - Punk Development/Razorsoft - Genesis - 1990

Monster*Race - Kennosuke Suemura - Race Building - Koei - Game Boy (Japan) - 1998

Lightening Force - Tomomi Ohtani - Tan Tan Ta Ta Ta Tan (Configuration) - Technosoft - Genesis - 1992

Operation Logic Bomb: The Ultimate Search & Destroy - Yasuyuki Suzuki - Logic Core - Jaleco - SNES - 1993

Truxton II - Masahiro Yuge - Stage 2 "I Defend STM" - Toaplan - arcade - 1992

Yuuyu no Quiz de Go! Go! - Tamayo Kawamoto - Royalty in the Desert - Taito - Super Famicom - 1992

T2: Terminator 2: Judgment Day - Geoff Follin - Level 2 (Flood Channel)/Level 4 (Cyberdyne) - LJN/Software Creations - NES - 1992

Super Bowling - unknown - Golf Bowl - KID/Technos - SNES - 1992

Shatterhand - Iku Mizutani - Area A - Natsume/Jaleco - NES - 1991

Shining Force - Masahiko Yoshimura - Shougonnaru Guardiana [Castle (Guardiana and Others)] - Camelot Software Planning - Genesis - 1992

King of Casino - Hiroshi Suzuki - Dreams Came True (Ending) - NEC - TurboGrafx-16 - 1990

Uncharted Waters - Yoko Kanno - In Bars - Koei - SNES - 1993

Ball Jacks - Yoshinori Kawamoto (Kawagen), H. Umino - Ending Theme 2 (Galaxy Championship) - Namco - Mega Drive - 1993

Yume Penguin Monogatari - Katsuhiko Suzuki (Suzuki the Enigma), Atsushi Fujio (Sukenomiya Fujio) - Stage 3 - Konami - Famicom - 1991

Choplifter III: Rescue Survive - Marshall Parker - Sector 3 - Beam Software/Victor Interactive Software - SNES - 1994

LandStalker - Motoaki Takenouchi - Labyrinth - Climax Entertainment - Genesis - 1992

Venom/Spider-Man: Separation Anxiety - Suddi Raval - Game Over - Software Creations/Acclaim - Genesis - 1995

Magical * Taruruuto-kun 2: Mahou Daibouken - unknown - Boss - TOSE/Bandai - Famicom - 1992

Raiden Trad - Akira Sato - Name Entry - Micronet - Genesis - 1993

Gokinjo Boukentai - Akihiko Mori - Advice - ITL/Pioneer LDC - Super Famicom - 1996

Bakuchou Retrieve Master - Rokusuke Sasaki - Near the End (?) - TOSE/Konami - Game Boy (Japan) - 1998

10 comments:

  1. You guys gotta do a mame that chune contest in London for us in Europe!

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  2. This whole EPISODE was buff in all the right places. Nice work boyz! The LandStalker track was hitting my B-spot for sure.

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  3. Rob caught me by surprise with that Ball Jacks track; I didn't hear who's track it, thought it was jam and assumed Brent picked it because it was kinda his style. Then Rob layed out the track name at the end and I was like, "Woah. I got switched."

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  4. I'm a big fan of that Shatterhand track. The beginning sounds all intense with dirty drums, and then it smooths out into quite a jam with different sections that blend together nicely.

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  5. Wow! That Raiden Trad "Name Entry" track really moved me. The arcade version of the track isn't played with the same amount of feeling. The Genesis version has an Out Run "Last Wave" kinda feel to it.

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  6. The Techno Cop music reminds me of the Timecop soundtrack (David de Gruttola). Buzzy guitars and repeated voice samples. Timecop has more orchestra hits though.

    http://www.youtube.com/watch?v=TC0Qe6tN9jg

    Technocop was probably the buffest track in LHM history. Wish it had more New Jack Swing though.

    I loved that Terminator 2 track. Those sirens!

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  7. I fully agree with Taylor, the episode was SUPER-BUFF; between the tune selection and the rapier-sharp rapport, this episode is definitely in the top-ten most recommendable within the series so far. If someone told me to check out Legacy Music Hour and pointed to this episode specifically, I'd be like, "That was BUFF, and I am SOLD ON LEGACY GAMING MUSIC."

    "Name Entry" and "In Bars" are just SO GOOD! Hype episode, guys!

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  8. The bass in Race Building track sounds like the buzzing of an overly buff bumble bee.

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  9. You can definitely hear Marshall Parker in that Choplifter 3 track.

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